Get ready to fall in love with The World of Love, the Korean indie film that’s taking the world by storm—and now, thanks to a groundbreaking deal, it’s coming to France. But here’s where it gets controversial: Can a film that tackles universally denied subjects with such raw honesty truly resonate across cultures? The Jokers Films, a powerhouse in international cinema distribution, thinks so. They’ve just secured the French rights to this 2025 box office sensation, marking another bold move in their portfolio of critically acclaimed titles.
Directed by Yoon Ga-eun, whose previous works The World of Us (Berlinale 2016) and The House of Us (BFI London 2019) cemented her as a master of human emotion, The World of Love follows 17-year-old Lee Jooin (Seo Su-bin). Her unpredictable nature and explosive outbursts create a ripple effect that challenges everyone around her. And this is the part most people miss: It’s not just a coming-of-age story—it’s a profound exploration of taboo themes handled with depth, tenderness, and sensitivity. No wonder it’s been sweeping awards at festivals worldwide, from Toronto’s Platform competition to the Montgolfière d’Or at the Nantes 3 Continents Film Festival.
The film’s success isn’t just about its storytelling. It’s about the courage of its characters to defy imposed narratives, celebrating life and love above all else. The jury at Nantes praised it for its richness and power, calling it a thought-provoking masterpiece. But what makes this deal even more exciting is The Jokers Films’ track record—they’re the minds behind bringing Parasite, The Handmaiden, and The Neon Demon to French audiences. Manuel Chiche, the company’s founder, couldn’t hide his enthusiasm: ‘I haven’t been so moved by a Korean movie in a long time. Yoon Ga-eun’s direction is brilliant, and sequences like the car wash scene are absolutely fantastic.’
Here’s the real question: Will French audiences connect with The World of Love as deeply as its international counterparts? Or will cultural differences create a divide? The film is currently captivating viewers at the Jogja-Netpac Asian Film Festival and is set to dazzle at the Red Sea Film Festival next. One thing’s for sure—this isn’t just a movie; it’s a conversation starter. What do you think? Will The World of Love transcend borders, or is its impact too rooted in its origins? Let’s debate in the comments!
